“It wasn’t the first time for me so I kind of knew what to expect, but was a bit of a double-edged sword because there was some backlash in the press and that kind of silly stuff. “When the swing revival came, it put me on that wave and it was a great thing for me because it got the sound out there and all of a sudden I turned around and oh my gosh, everything was just huge,” he said of the scene. BSO’s third album, “The Dirty Boogie,” featured a cover of Louis Prima’s “Jump Jive an’ Wail,” which instantly landed the group on the Billboard singles charts and scored BSO a Grammy in the best pop performance by a duo or group category in 1999. “I have been very lucky that things have caught on like they have and I don’t know what they call that – the tail wagging the dog? I just kind of do what I do and I do what I love and I’m just very lucky that it has worked.”īy the late ‘90s, BSO found itself thriving in the swing revival that included acts like L.A.’s Royal Crown Revue and Big Bad Voodoo Daddy and Oregon’s Cherry Poppin’ Daddies. “I have never thought in terms of being a commercial success,” Setzer said. It’s just great to play with that big, beautiful band.”ĭespite all of the competition, BSO’s big band swing and jump blues style, led by Setzer rockin’ out on the electric guitar, still managed to find an audience. I don’t know what to say about it, but I’m certainly happy it got there and I love the musical aspect of being in a big band. It started off with a very slow ascent and it just keeps going. “There’s no real way, with the cost that goes into it and with people’s shifting musical taste that this should have even lasted a month. “I don’t know what to say about having kept this band together for 25 years,” he said. The 58-year-old songwriter, vocalist, guitarist and 19-piece orchestra leader is feeling a bit nostalgic these days as the ensemble prepares to celebrate its 25th anniversary with a special show at the Hollywood Bowl in Los Angeles on Wednesday, Aug. “There were almost as many people in the band as there were at the show. “We had 30 people show up,” he said with a laugh during a recent phone interview. Setzer can’t recall the exact date, but he does remember exactly how many people were in the audience. Setzer also brought in Jumpin’ Gene Simmons to help finish off “Peroxide Blonde In A Hopped-Up Model Ford.Back in 1992, the Brian Setzer Orchestra made its live debut at the 500-capacity Roxy Theatre on the Sunset Strip in West Hollywood. For Tommy Blake’s “Flatfoot Sam,” Setzer called in The Jordanaires on backing vocals, who also appear on covers of Ernie Barton (“Stairway to Nowhere,”) and Charlie Rich (“Lonely Weekends”). The album focuses on songs produced and recorded between 19 and pays homage to some of the biggest names of the era including Carl Perkins, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, as well as shining a light on the likes of Kenny Parchman (“Tennessee Zip,” “Get It Off Your Mind”), Carl Mann (“Mona Lisa”) and Ray Harris (“Lonely Wolf”). The 23-track album is a-rockin’ non-stop ride that will thrill both Setzer and rock ‘n’ roll fans alike it’s a reminder of some of the greatest music of the era and highlights Setzer’s exceptional ability to put his own stamp on these classics. Produced by Brian Setzer and Dave Darling, Rockabilly Riot! Volume One: A Tribute To Sun Records was initially released in 2005 and focused on the legendary Memphis, Tennessee label which produced some of the greatest and most iconic music of the 1950s. To celebrate the 16th Anniversary of Brian Setzer ‘s’ Rockabilly Riot! Volume One: A Tribute To Sun Records, Surfdog Records will be reissuing the album on limited edition 180 gram, red transparent vinyl on 28th May 2021. Brian Setzer – Rockabilly Riot! Volume One: A Tribute To Sun RecordsĮxclusive Vinyl Reissue 16th Anniversary of Rockabilly Riot! Volume One: A Tribute To Sun Records
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |